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About Broadway
The sung lyrics of a musical are referred to as its libretto (originally an opera term); the music itself is the score; and the combination of the spoken dialogue and the sung libretto is often referred to as the book of the musical. The annual Tony Awards recognize some of the most successful new shows and revivals each year. Book musicals have gone by many names: comic operas, operettas, opera bouffe, burlesque, burletta, extravaganza, musical comedy, etc.

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Broadway News and Articles

Richard Rodgers
Richard Rodgers Richard Rodgers (1902 - 1979) was one of the great composers of musical theater, best known for his song writing partnerships with Lorenz Hart and Oscar Hammerstein II. He received countless awards including Pulitzers, Tonys, Oscars, Grammys and Emmys. He wrote more than 900 published songs, and forty Broadway musicals. Born in New York City on June 18, 1902, Rodgers studied at Columbia University where he met the lyricist, Lorenz Hart. In the 1920s and 1930s, Rodgers & Hart produced numerous successful musical comedies, including: The Garrick Gaieties (1925-26), Dearest Enemy (1925), A Connecticut Yankee (1927), On Your Toes (1936), Babes in Arms (1937), I'd Rather Be Right (1937), I Married an Angel (1938), The Boys From Syracuse (1938), Too Many Girls (1939), Higher and

Hedwig and the Angry Inch
Hedwig and the Angry Inch Hedwig and the Angry Inch is a off-Broadway musical/play (1998) and movie (2001) about a fictional rock band. The text was written by John Cameron Mitchell and the music and lyrics were by Stephen Trask. It has become something of a cult hit. It draws on the androgynous glam rock era of David

Dorothy Loudon
Dorothy Loudon Dorothy Loudon (September 17, 1933 - November 15, 2003) was a Broadway actress noted for her comedy and "belting" singing voice, which she used to deliver a wide range of musical comedy and Roaring Twenties songs. She was born in Boston, Massachusetts and began singing as a child. She moved to New York and landed a job as a

Follies
Follies Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman. It is set in a crumbling old Broadway theatre during a reunion for all the past members of the “Weismann’s Follies,” a musical review which played in that theatre between the World Wars. The musical

Guys and Dolls
Guys and Dolls Guys And Dolls is a successful 1950 musical. It had a long run on Broadway (1200 performances) and was filmed in 1955 starring Marlon Brando and Frank Sinatra (debuted on November 3, 1955). The words and music were written by Frank Loesser and the book was by Jo Swerling and Abe Burrows. It is

Hair (musical)
Hair (musical) Hair is a musical about hippies, also known as “The American Tribal Love-Rock Musical” . It was written by James Rado & Gerome Ragni (words), Galt MacDermot (music). It premiered off-Broadway on October 17, 1967, and moved to Broadway in 1968. It went on to stage productions across the world

Today in History: Tuesday, June 7, 2005
In 1753, Britain's King George the Second gave his assent to an Act of Parliament establishing the British Museum. In 1769, frontiersman Daniel Boone first began to explore the present-day Bluegrass State. In 1848, French postimpressionist painter Paul Gauguin was born in Paris. In 1864, Abraham Lincoln was nominated for another term as president at his party's convention in Baltimore. In 1929, the sovereign state of Vatican City came into existence as copies of the Lateran Treaty were exchanged in Rome. In 1948, the Communists completed their takeover of Czechoslovakia with the resignation of President Eduard Benes.

A look at 9 significant shows on Broadway (Miami Herald)
This was the season when sure-fire Nathan Lane and Matthew Broderick flunked their chemistry test in The Odd Couple. When the vampires of Lestat bit the dust and Tarzan stayed earthbound, despite all the actors swinging on ''vines.'' When Julia Roberts proved that movie stardom doesn't give an actor a free pass on Broadway.

Howard Kissel: My top 10
As the Broadway community converged on Radio City Music Hall for the 59th annual Antoinette Perry Awards, they could look back on a season notable for producing a higher-than-average number of serious plays. With the perennial laments about the death of serious theater, it seems worth noting that there were enough candidates to fill the Tony Best Play Revival category but only three shows to fill the comparable musicals category. The season had plenty of memorable moments that will stay with me, whether or not they win awards: 1.

Opera Theater of St. Louis: Mixing musical styles (St. Louis Post-Dispatch)
Composer Kurt Weill subtitled his "Street Scene" "An American Opera." The show's original Broadway producers called it a dramatic musical. Subsequent presenters have called it problematic.

Tuneful Tonys: Broadway delivers an earful to critics who say the musical is dead (Miami Herald)
Of the four shows vying for the coveted, box office-boosting best musical honor at tonight's 60th annual Tony Awards, only one -- The Drowsy Chaperone -- is wholly original in its story, script and score.

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Evita (Original London Cast)
by: Andrew Lloyd Webber, Andrew Lloyd Webber, Elaine Paige, Joss Ackland, Siobhán McCarthy, Tim Rice (23 February, 1999) <br><BR>